01 / INPUT
What converts cleanly
Use a dry recording with one clearly audible pitch at a time: a sung melody, bass line, lead, whistle, or solo instrument. MP3, WAV, OGG, M4A, AAC, and FLAC are accepted when your browser can decode them.
Chords, drums, heavy reverb, distortion, and full mixes overlap in frequency. This converter does not pretend those sources are single notes.
Before cutting a source excerpt, use the MP3 crop-boundary tests and downloadable first-note checklist to check what the saved clip retains.
If your recording sounds clipped, see Can you save clipped audio? Test results and a repair decision table.
Before recording another take, use the recording-versus-monitor control worksheet to check whether the volume control changes what is saved.
Not sure which problem “clipping” describes? Start with the audio-clipping explanation and guide map before choosing a repair, crop or recording-control investigation.
Comparing loudness readings? Keep the LUFS channel settings and true-peak units beside the source before changing its level.
Before reducing a noisy source, compare wanted sound and background noise separately; lower volume or a quieter gap alone does not establish cleanup.
Starting with separated audio? Check what each acapella export contains, not only whether its stems rebuild the mix, before transcribing the intended part.
If the waveform seems displaced, use the DC-offset confirmation checklist and dated correction tests before treating every click as bias.